KRYŠTOF BRŮHA

Kryštof Brůha is a Czech transmedia artist whose practice is situated at the interface of material ontology and digital space. Through algorithmic networks, generative design and post-industrial techniques (machine learning, 3D printing and CNC) he reconstructs invisible dynamics of systems - from microprocesses of the natural environment to abstract data flows. His kinetic objects, generative videos and *expanded cinema* works function as intermediary interfaces that translate techno-ecological metamorphoses into multisensory compositions.  

Since his studies at AVU (including internships at VŠUP and the Indonesian Institute of the Arts), he has exhibited in galleries and site-specific spaces: from the Regional Gallery Liberec, PLATO Ostrava to Prague's Artefin Gallery, Lisbon's Artemis Gallery and the Leal Rios Foundation. His experimental films *Prologue to Signum Supra* and *Resonare De INTER Solaris* (IDFF Ji.hlava) expand the documentary format into algorithmic audiovisual essays. Twice awarded the Graphic Artist of the Year Award (2019, 2021), winner of the Jindřich Chalupecký Award (2023) and winner of the Signal Calling competition with *Audire Fluctus* (2024), which transforms an urban electromagnetic trace into a data totem.

Inspired by concepts ranging from Timothy Morton's hyperobjects to posthumanist aesthetics, Brůh's work constructs an archaeology of the future. Not as a passive commentary, but as a performative gesture: recoding the abstract forces of the present into the language of radical imagination.